Interdisciplinary Studies Major, Writing/Marine Bio Minors

Category: Commonplace Book (Page 1 of 2)

Final CPB Reflection

Tom Standage states that, “keeping commonplace books are a form of self-definition”. My commonplace book, I think, is a thorough representation of myself and my values. The majority of my commonplace book contains a mixture of written and visual entries. Visual entries tend to take photos from popular media to describe a trend in how monsters have been portrayed throughout the years while written entries analyze the similarities and differences of works of fiction to modern counterparts. In terms of sources, I tried to stick to general images that most people could find with a google search as well as quotes from the book. This way, I feel my commonplace book entries are geared more towards a general audience rather than an scientific or literary audience. As I consider myself to be a well-rounded person, I enjoy the fact that my entries are geared more towards “common” people, as the lack of specificity allows for a wider audience to understand the material.

One entry that I believe really encapsulates my values has to be CPB#7. This entry focuses on comparing Oscar Wilde’s writing to his own speaking voice. I took a passage from chapter 10 of The Picture of Dorian Gray and compared it to a quote from Oscar Wilde during his 1895 trial regarding his homosexuality. Between the two, I found that there were multiple references to Michelangelo and Shakespeare, as well as the sentiment that “these passions were not understood by the world”. Both passages make a point that what is being discuss is really, truly love in a pure form. As a member of the LGBTQ+ community, I found that the messages in both written and verbal accounts were accurate in a modern sense. I also think that, as a writer, these comparisons bring up the classic debate of separating the art from the artist. There are very clear comparisons between the two examples, so can one separate Oscar Wilde from The Picture of Dorian Gray? This is a question that I, as a writer, need to consider as I need to bear the responsibility of being distant but not separated from my work.

Another entry that I think represents me is CPB#4. In this entry, I looked at an article that discussed a small-pox outbreak in a Catholic school for girls in Manchester during 1888. I looked at this incident through a feminist lens, as there were many feminist themes present in Jane Eyre. A quote from my analysis sums up my thoughts regarding the matter, “Women were often neglected and thought of as second-class citizens, so it doesn’t seem too far-fetched to reason that regulations and health requirements of schools for girls weren’t held to high standards. In her own way, Bronte may have included sections of Jane Eyre to push for better health care standards for women. Even though the event at St. Joseph’s school happened after the publication of Jane Eyre, it can still be reasoned that outbreaks like this and at Lowood were relatively common. Regarding Jane Eyre‘s feminist theme, I think health-care for women is also an important aspect of the novel that doesn’t seem to be touched upon often while analyzing this work”. As a woman and feminist, I am deeply concerned about how our world progresses in terms of equal rights. Learning about this history, in my opinion, is as important as advocating for change. If we don’t understand the past, then we can’t understand the future and how our policies effect the world around us.

CPB#4 also looks at craft elements that Charlotte Bronte may have employed while writing Jane Eyre. Craft and writing techniques are something that I looked at extensively within my QCQ’s. However, I tried to separate my QCQ’s and my CPB’s in order to get a better sense of the Victorian culture/mindset while looking at each novel. I think out of all my entries, I enjoyed discussing CPB#5 the most. This entry was simply a video of David Hasselhoff singing “Confrontation” for the Jekyll and Hyde musical. Of this, I said, “I think it speaks to how the themes of duality and inner monstrosity are adaptable into many artistic forms. This piece also shows how timeless the story of Dr. Jekyll and Mr. Hyde is, from the duality of nature to the true definition of what is good and what is evil”. Reflecting on this entry, I also think that making “monster” stories into musicals is a great example of how adaptable these stories are into our modern culture. We have musical adaptations, movies, TV shows, and there was even a manga adaptation of Jane Eyre. This entry made me look into just how many forms monster stories can take, and the short answer is this: Monster stories are everywhere in our lives because they are so malleable to contexts outside of their written ones. Overall, I enjoyed creating my Commonplace book entries as well as writing my QCQ’s as I feel I got to explore topics that were important to me and apply them in a different historical and cultural setting.

Commonplace Book Peer Reflections

I looked at the commonplace books of Lizzy and Dylan.

Lizzy:

I’ve noticed that your commonplace book entries that necessarily have a theme that can be grasped. If anything, your entries border on an artistic sense, however, you also focus on people within your quotes and explanations. These people, more often than not, are representations of marginalized groups. In your entries, I think you make the issues shown in each of the books we’ve read into a physical, artistic representation that summarizes what the authors were intending. In this entry in particular, you take the sexual taboos and desires and connect a heterosexual example (Dracula) to a homosexual example (Carmilla), effectively stating that these issues are universal.

Dylan:

*I was unable to leave a comment on your page* Your commonplace entries seem to focus on the “modernity” of the monsters we’ve discussed as well as their non-monstrous counterparts. An example that comes to mind is your photo of Rainbow Stag Beetle in which you discuss how works like The Beetle make organisms like this one into “monsters” that people come to fear. The exploitation of animals in these works, like bats/dogs in Dracula, and beetles in The Beetle have far reaching effects in terms of conserving species. To me, it seems like your entries really encompass your values and your sympathy towards creatures that have been “monster-fied”.

Commonplace Book Reflection Notes

Looking back on my commonplace book entries throughout the semester, I’ve been able to take some main points.

  • Regarding the overall themes of my entries, I found that I don’t have a set theme that extends throughout all of my entries. I tend to have a theme for each separate book, such as feminist themes in Jane Eyre or sexuality in Dorian Gray.
  • I think my favorite entries to write did regard themes of sexuality and feminism, but I also think that a lot of my entries were separated from my QCQ’s.
  • My QCQ’s focused a lot on craft techniques whereas my commonplace journals focused on how ideas such as feminism were viewed in the Victorian era.
  • As for my final reflection essay, I think I’ll focus on the second option regarding how my commonplace entries reflect me and my values.

CPB#11

From the National Geographic article “Six Ways to Stop a Vampire”

The traditional belief that garlic’s odor deters vampires may have originated with the disease rabies. “In 1998,” writes Mark, “Spanish neurologist Dr. Juan Gomez-Alonso made a correlation between reports of rabies outbreaks in and around the Balkans—especially a devastating one in dogs, wolves, and other animals that plagued Hungary from 1721 to 1728—and the ‘vampire epidemics’ that erupted shortly thereafter. Wolves and bats, if rabid, have the same snarling, slobbering look about them that folklore ascribed to vampires—as would a human being suffering from rabies. Various other symptoms support the rabies-vampire link: Dr. Gomez-Alonso found that nearly 25 percent of rabid men have a tendency to bite other people. That almost guarantees transmission, as the virus is carried in saliva. Rabies can even help explain the supposed aversion of vampires to garlic. Infected people display a hypersensitive response to any pronounced olfactory stimulation, which would naturally include the pungent smell of garlic.”

CPB#10

What Happened to the Monster?! The Evolution of Vampires

Dramatic, evil-esq
Dramatic, morally grey
Morally grey love interest

“Sexual” character, love interest, morally grey
Main protagonist, love interest
Friendly, kind, main protagonist, family-oriented

CPB #9

“The danger is that, in spite of in-built constitutional (for Burton, “racial”) resistances
to queerness in the native British body, homosexuality can jump the barrier (regionally, biologically). For a British man to have gay sex—even uncharacteristically, even despite his physical and psychological aversion to it—seems just as threatening to heteronormativity as if he were a “real” homosexual”-Harris Vernoy “Orgies of Nameless Horrors”.

“For a time I was no longer a man; my manhood was merged in his. I was, in the extremist sense, an example of passive obedience” (Richard Marsh, The Beetle, 54)

“You have killed my love. You used to stir my imagination. Now you don’t even stir my curiosity. You simply produce no effect. I loved you because you were marvelous, because you had genius and intellect, because you realized the dreams of great poets and gave shape and substance to the shadows of art. You have thrown it all away. You are shallow and stupid.” (Oscar Wilde, The Picture of Dorian Gray)

CPB #8

“Isis had strong links with Egyptian kingship, and she was most often represented as a beautiful woman wearing a sheath dress and either the hieroglyphic sign of the throne or a solar disk and cow’s horns on her head. Occasionally she was represented as a scorpion, a bird, a sow, or a cow.”-Britanica.com

Isis: Mother Goddess of Ancient Egypt
Isis represented with bird wings
Scorpion Goddesses, Birth Goddesses – Isiopolis
Isis depicted as a scorpion
Isis with Cows Head (Photos Prints, Framed, Posters, Puzzles, Cards,  Gifts,...) #595648
Isis with cow head and horns

CPB#7

“He shuddered, and for a moment he regretted that he had not told Basil the true reason why he had wished to hide the picture away. Basil would have helped him to resist Lord Henry’s influence, and the still more poisonous influences that came from his own temperament. The love that he bore him — for it was really love — had nothing in it that was not noble and intellectual. It was not that mere physical admiration of beauty that is born of the senses and that dies when the senses tire. It was such love as Michelangelo had known, and Montaigne, and Winckelmann, and Shakespeare himself. Yes, Basil could have saved him. But it was too late now. The past could always be annihilated. Regret, denial, or forgetfulness could do that. But the future was inevitable. There were passions in him that would find their terrible outlet, dreams that would make the shadow of their evil real.” (Wilde, Chapter 10).

“In this century it is such a great affection of an elder for a younger man as there was between David and Jonathan, such as Plato made the very basis of his philosophy, and such as you find in the sonnets of Michelangelo and Shakespeare. It is that deep, spiritual affection that is as pure as it is perfect. It dictates and pervades great works of art like those of Shakespeare and Michelangelo. … It is in this century misunderstood, so much misunderstood that it may be described as “Love that dare not speak its name,” and on account of it I am placed where I am now. It is beautiful, it is fine, it is the noblest form of affection. There is nothing unnatural about it. It is intellectual, and it repeatedly exists between an elder and a younger man, when the elder man has intellect and the younger man has all the joy, hope, and glamour of life before him. That it should be the world does not understand. The world mocks at it and sometimes puts one in the pillory for it.”-Oscar Wilde during his trial in 1895 for homosexuality

CPB#5

This clip is from David Hasselhoff’s tour of the musical Dr. Jekyll and Mr. Hyde. This song specifically is a “duet” between Dr. Jekyll and Mr. Hyde as they argue over who is the “true” version of Jekyll/Hyde. I picked this video clip to include into my commonplace book not only because Hasselhoff puts his entire soul and Hasselhussy into this performance, but because I think it speaks to how the themes of duality and inner monstrosity are adaptable into many artistic forms. This piece also shows how timeless the story of Dr. Jekyll and Mr. Hyde is, from the duality of nature to the true definition of what is good and what is evil.

« Older posts

© 2024 Alex Kiehnau

Theme by Anders NorenUp ↑

css.php