Interdisciplinary Studies Major, Writing/Marine Bio Minors

Author: Alex (Page 6 of 21)

W.F Final Journal

My major is interdisciplinary-studies in the humanities. Although my major is really really small, I think that the writing fellows program works well alongside it. Since interdisciplinary-studies covers a wide-range of subjects, ranging from arts and history to political science, sociology, and English, I think that someone in my major could benefit by this program in a few ways. Typically, an interdisciplinary-studies major has a main focus, mine being writing and English, but the writing fellows program is built on universal ideas that can be applied to any major/specialization. An ISH major could not only enhance their own writing techniques, but they could also attain skills to tutor students within the humanities. ISH students would also come into the program with an outside knowledge of multiple subjects, which would help them adapt to new ideas quickly. I think there are a few things that ISH students should know before joining the program. The first thing is that, while this program requires a class component, it doesn’t necessarily feel like a class. It’s more of an experience that allows you to bond with other students and professors. The other major thing would be to know that you’ll try your best to help others, but you need to remember to take care of yourself and help yourself first.

There are a lot of things that I wish tutees would understand about the program. First and foremost, writing fellows are embedded into a single class, so the tutor is strictly there for those students and those students only. It’s a rare resource to have, especially since one of the only comparable roles would be a TA. Essentially, a writing fellow is an unbiased source of information regarding the course. I think that tutees also should know that, at least for first semester fellows, this program is a class for us as well. We may not know everything or be perfect at our jobs, but that’s only because we’re still learning. I also think it’s helpful for tutees to know that we’re students too. We don’t bite and we don’t report everything that they say to the professors of the course that we’re in. I think if they understood the role of a writing fellow more as a resource for them rather than an extension of the professor, they might be more receptive to sessions. I hope that tutees also know that the tutoring sessions are based solely upon them. I’ll rarely talk about anything that isn’t relevant to what the students bring to me. It’s their time to get specific questions answered or to seek guidance in a problem that’s been bugging them. Meeting with a writing fellow is also flexible enough that many of us can schedule multiple sessions or sessions in advance either in person or through zoom.

I.S Journal 11

I think the biggest thing that struck me during chapters 8-11 was just how much happened within a short amount of time. These chapters were action oriented and at this point, I feel like everything before this was really just the set up for this point, even though it felt like major events were happening. I also liked how the narrator began to reflect on the story he was telling. Typically, he had the ability to reflect, but now, it seems like the narrator is wondering how things went wrong and is just now realizing some of the larger implications of other characters’ actions (like his father). I also enjoyed the resurgence of the kitten once he reached the Hempstocks, but I also feel like there’s something sinister about it. Earlier in the story, Lettie told him not to keep it, yet the kitten has sought the narrator out. Is some of his innocence returning to him? The narrator had forgotten most of his childhood until he looked at the ocean, so maybe this is a some foreshadowing into how the narrator loses his memory?

I.S Journal 10

For revisions, I need to focus particularly on the relationship between Abel and his parents. I also need to think about the reasoning/specifics of Abel taking over the family business. Since this is one of the main factors keeping Abel and Caim together, the relationship between Abel and his parents needs to be dismembered to cause more tension within the story. Another smaller edit would be to fix the use of italics within this section. The story is told from a first person perspective, so there’s really no need to use italics to designate Abel’s personal thoughts. One of the other biggest revisions regards Quinn. There’s a scene in which Abel blames himself for Quinn’s death, but it’s a little jarring and out of the blue. Therefore, I need to put in more moments/breadcrumbs relating to Quinn earlier on in the story, specifically about his death.

W.F Journal #9

I’m grateful that I haven’t had a lot of issues during my sessions so far. I think the biggest one that I’ve been facing is mandatory attendance. A lot of students only came to my sessions because they were required to meet with me for a portion of their overall grade. While many of my students still cooperated during the sessions, a few of them made it clear that they didn’t want to be there. I didn’t want to just let them off the hook, like the book says, so I tried making the best of these sessions. We talked about the project, and I tried asking a lot of questions, mostly about why they thought of writing about a certain major or if they had any past experience with subjects pertaining to the major. I felt like having a personal discussion with the students who were genuinely forced to attend at least got them thinking about what to write about for their paper and why. While I don’t necessarily agree with making tutoring sessions mandatory, for a freshman-centric class, a professor almost needs to in order to get students on the right track. I did find myself getting somewhat frustrated by this, but as the book says “Not everyone is meant to be helped”. Another problem I’ve faced is just having a few students either complain about their classes in general or other professors. I tried my best to stay professional while also validating their frustrations, but I don’t know if I helped these students in the best way. I tried to let them know that being frustrated with a class/professor was normal and that I would feel this way too sometimes, but I encouraged them to have a discussion with the professors about specific problems that they were facing. I feel like this is one of the only things you can really do in that situation. While I haven’t faced an issue involving students with learning disabilities, I found that the advice the book gave was very helpful. As the stigma surrounding learning disabilities and mental illnesses decreases, more students are getting diagnosed and receiving the help they need. Regardless, this means that tutors/writing fellows need to be prepared to help students in ways that can meet their specific needs.

I.S Journal #9

I think in terms of revision, I need to work up the tension and the reasoning for certain scenes (like the dream sequences). There’s a lot of tension that I could use, but I tend to go through those scenes a little too quickly. There’s also a moment where Calliope, Caim, and Abel leave the library. Instead of showing the tension there, I just tell it. I think that’s the biggest point of revision within those pages. I need to work on building the tension and figure out which parts to “skim” past and which parts need to be worked up a little more. I’m somewhat happy with the pages I’ve written, but I need really think about what points of the story I need to highlight and draw out a bit more. This isn’t so much a story revision as much as a “personal revision”, but I need to be kinder to myself when looking at the pages I’ve written and their quality. I’m just writing a draft, so it’s almost suppose to be crappy.

I.S Journal #8

Chapters 6 and 7 were really pivotal in terms of plot. I enjoyed how we immediately got the payoff/consequences of our narrator’s actions. We knew, based on Gaiman’s foreshadowing, that letting go of Lettie’s hand would prove to have disastrous consequences, and though it took about two *short* chapters, we finally got to see what happened. It also feels like we’ve been introduced to the main antagonist of the story. While Gaiman has been pretty liberal with his dialogue, except in cases with Lettie, he uses Ursula’s words, rather than her actions/looks, to demonstrate that she is actually a monster. I also really enjoyed the juxtaposition of having the main character call himself a “monster” at the beginning of chapter six, only to show the reader how the rest of his family is becoming monster-like because of Ursula’s influence. This is especially seen in chapter seven with the bathtub scene.

Fiction Writing Journal #6

I really enjoy reading the advice Lamott gives in Bird by Bird. In the first chapter I read for class, “School Lunches”, I appreciated how Lamott’s message was to just get something, anything, onto the page. Her Polaroid metaphor helped me understand just how important the act of writing for the sake of writing is. You can never find out the true focus of a story or an idea if you don’t write it out. It seems like obvious advice, but I think all writers struggle with a little bit of a god complex. We think we’ll have the answers to all of our problems when it concerns writing, but in actuality, we have to mess up and write page after page of shitty first drafts. The second chapter, “Character”, was really enjoyable for me. I also love coming up with characters. Beyond prose and description and plot devices, characterization is probably my favorite aspect of writing. Creating characters is, essentially, creating a person that may or may not exist. Lamott tells us that characters take on certain aspects of yourself or people that you know, and that you’ll either love or hate them for it. I understand that. In one of my current projects, I’m writing a first-person narrative, a character named “Abel”. Personally, I’ve grown to hate Abel. This could just be because I get frustrated with the idea of perfectionism and the crippling self-doubt in the project, but I find Abel to be selfish, rude, and deceitful at some points. However, I didn’t set out to write Abel as a selfish, rude, or deceitful person at all. He was supposed to be quiet, kind, a little self-deprecating at times, but overall, he was just a regular person. This, I feel, is what Lamott means when she writes, “Just don’t pretend you know more about your characters than they do, because you don’t. Stay open to them” (pg. 53). You’ll never truly know your characters without a first draft, and as much as I dislike Abel, he’s also funny, and mournful, and trying his best within circumstances out of his control. None of these characteristics would’ve been discovered without writing and spewing words out onto a page.

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