Interdisciplinary Studies Major, Writing/Marine Bio Minors

Author: Alex (Page 13 of 21)

QCQ#12

Quotation: “With his left hand he held both Mrs. Harker’s hands, keeping them away with her arms at full tension. His right hand gripped her by the back of the neck, forcing her face down on his bosom. Her white night-dress was smeared with blood, and a thin stream trickled down the man’s bare chest which was shown by his torn-open dress. The attitude of the two had a terrible resemblance to a child forcing a kitten’s nose into a saucer of milk to compel it to drink. As we burst into the room, the Count turned his face, and the hellish look that I had heard described seemed to leap into it. His eyes flamed red with devilish passion. The great nostrils of the white aquiline nose opened wide and quivered at the edge, and the white sharp teeth, behind the full lips of the blood dripping mouth, clamped together like those of a wild beast.” (Stoker, Chapter 21)

Comment: This scene has a very aggressive, sexual undertone to it. In a disturbing way, it makes me feel as though Stoker wanted to depict a scene in which the Count “sexually assaults” Mrs. Harker. Of course, there isn’t anything explicitly sexual during this scene, but as we’ve discussed, vamprism has inherent connections to sexuality. While Mrs. Harker is clearly going through a very traumatic event akin to rape/sexual assault, it feels as though the Count isn’t motivated by a lust for Mina. In Victorian times, sexual assault of a woman was unfortunately seen as more devastating to the woman’s male partner, as it would “demasculate” him. As Harker is sleeping right next to the Count and Mina, he is completely unaware yet present during this scene. Perhaps the Count is using Mina to assert a type of dominance over Harker himself. 

Question: How has “monster literature” changed how readers view/read scenes depicting sexual assault? Has it allowed us to be able to freely talk about these issues without being “monstrous”?

“Live: The Denver Defenders Told From a Fresh Perspective”-Peyton Sammons

This is the story about a group of superheroes that turn out to be less than super. First, regarding your comment at the beginning of the story, I’m really glad that you had the confidence to try something out of your comfort zone! It’s hard to write something that isn’t exactly your style and harder still to share it with others, so kudos to you. There are a lot of things that I liked about your story, mainly Unknown’s voice. The cynicism and sarcasm that Unknown brought to the story was refreshing, especially in terms of superhero genres. Most of the time, everyone is so in awe of heroes that they overlook their flaws, but Unknown gives us a nitty-gritty perspective. She straight up tells us that these guys are too flashy and basically have little care about what happens to regular people. I also liked how your world was fleshed out through differing superhero “departments”. It was a fun reversal of superheroes working together all the time. The Guardians of Defense seemed to be more down to earth and critical of the Denver Defenders, and it made me laugh to hear that they all called Magnificent the flying brick. These little details and points of contention really make your world feel alive. The plot twist at the end was also really cool. I didn’t think that the mayor was really in on the conspiracy to expose the Defenders. Little twists like this are so powerful in short stories, especially since we have limited time. A few suggestions: Throughout the story, Unknown is incredibly critical and almost mean to the Defenders, yet she shows soft spots for them. I feel like we need a scene of connection between her and the other heroes, because it just feels like her change of heart comes from nowhere. I hate to say this, but I also feel like your story suffers from one too many characters. I like the idea of the Defenders being this tight-knit group, but between them all, I feel like your reader isn’t able to fully connect with any of them because you’re trying to balance the amount of time each character has within the narrative. Maybe if Unknown worked with only one or two of them, the reader could see a greater connection between them, which could explain her change of heart at the end. I was also interested in who the villain was. What were their motivations? Why did they want to expose the Defenders so badly? Why did the mayor even agree to stage a kidnapping with the villain? There’s so many questions I have (that don’t necessarily need to be answered), but maybe if you fleshed out the motivation behind the villain, the reader could fill in some of the mysteries that you intentionally left. Overall, I really enjoyed your story and I thought you did a great job, despite this genre being out of your comfort zone!

CPB#10

What Happened to the Monster?! The Evolution of Vampires

Dramatic, evil-esq
Dramatic, morally grey
Morally grey love interest

“Sexual” character, love interest, morally grey
Main protagonist, love interest
Friendly, kind, main protagonist, family-oriented

QCQ #11

Quote: “I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck, she actually licked her lips like an animal. . . . Lower and lower went her head as the lips went below the range of my mouth and chin and seemed about to fasten on my throat. . . . I closed my eyes in a languorous ecstasy and waited—waited with beating heart.” (Stoker, Chapter 3)

Comment: This quote comes from chapter 3 where the “weird sisters” are about to feed on Harker while in Dracula’s castle. The passage indicates a desire from Harker, as the lines between sexual acts and vampirism are blurred. Harker, seemingly enjoying his predicament, reminds me of Cohen’s thesis regarding the desire of the monstrous. Harker is drawn to these monsters because of the blurred distinctions between feeding and pleasure. Despite the fact that Harker is unaware of their condition, he states that one of the women “licked her lips like an animal”, which could mean that Harker doesn’t mind the fact that he’s being “hunted”. This sexual “kink” could be a form of taboo desire that Harker would have needed to repress from Victorian society.

Question: Do the vampires represent other taboos from Victorian society other than a sexual desire?

“The Long Winter”-Luke Colomey

This is the story of a man who has survived four long years of winter only to fight one more battle before spring. I’ve only read one of your stories before, but it’s really cool to see you take on a sci-fi genre! The world felt really developed and the concept of elongated seasons is intriguing. There isn’t much in the way of dialogue in your story, which honestly makes the whole piece feel like it’s a few pages from a journal. I also enjoyed your descriptions of the beasts, especially when you didn’t give them a name. It’s almost refreshing for characters to be so disgusted with other creatures that they aren’t worth being named. I feel like that also puts a sense of dread and mystery around them, as your description focuses primarily on their predator-like morphology. You don’t make them feel like they have anything remotely alive or human in them. The whole premise of having most of the colony go to sleep is actually really heartbreaking and I felt so bad for the main character. This leads me to a few suggestions: I would’ve liked a little interaction between him and his wife, just because there are some places where your piece feels very lore-heavy. You don’t have to use dialogue to split these long paragraphs up, but maybe a quick description of what his wife looks like or what she does might work would be good! I also would have liked some reasoning as to why the people stay there. Do they not have the technology to leave the planet? Are there resources there that they need? I think adding some motivations for your society as a whole would flesh out your world a little more. Overall, you did a great job and I really enjoyed this story!

“The Whole World is Waiting”-Shea Fairbanks

This is the story of a college student who starts his last year while at his lowest point. Chance encounters with two other students bring his life back around. I enjoyed this story! The overall message of friendships and connection were really sweet and it was something that I was definitely able to relate to. Your voice is something that you did very well with, in this story and your last one. It takes a while for writers to develop their own personal style of voice, but it seems like you have a good sense of what you want your stories to sound like. You also do very well with writing in first person. Your stories, especially in this one, rely particularly on the thoughts and feelings of your main character, which give it the feeling of a coming of age story. The first paragraph of your story also implies that your main character is on the verge of a burnout, which I feel is pretty common in college students. The little details that you sprinkle in through thoughts, feelings, and dialogue help make your story come to life in the best ways. A few suggestions: I understand that you want to make the professor a relatable teacher and mentor to Derek, but I feel like the relationship was a bit rushed. I don’t think a lot of professors would be thrilled to see a student trying to pick up girls in their class, but that’s just me. I really enjoyed the dynamic between Derek and Marcus, but I think it would be better for them to start as friends before the story. That way, you aren’t bogged down by an introduction of the two, which gives you more room to explore their relationship and dynamics. I would have liked to see the date between Derek and Anna play out, but at the same time, I liked how you ended your story with the lyrics and the uncertainty of how the relationship was going to play out. Last thing I would suggest is discussing Derek’s feelings in the beginning. Dedicating a whole paragraph to how desperate and lonely he feels is pretty important, but I feel like we lose those feelings throughout the story. While friends and connections with people help, I want to know why Derek’s connections with Marcus, Anna, and Camilla brought him back from his dark, pessimistic feelings. Overall, great job!

GAP Journal #19

This chapter was about creating a budget and how to write a budget proposal. I’m not great with budgets, so this chapter really highlighted some important aspects that I need to focus on. One main aspect was about organizing liability insurance, staff costs, income/expenses, and pretty much all financial transactions the organization has with others. The goal of this is to essentially write a money-oriented story of your organization. This allows investors to see where your programs align within your budget as well as if you under/overspend. The second main point is that the budget isn’t just a formality. Investors regularly check to make sure that organizations are sticking to their budget, especially when they know that their money is involved. A third point in this chapter that I found interesting was about the wiggle room that organizations have while crafting their budgets. A miscellaneous section allows an organization to put extra money aside in case of emergencies or if they undershot the expenses of their program. Donated goods and volunteer time are also included within the budget. As these goods and volunteers are unpaid, they don’t have a value within the budget, but funders want to see it nonetheless. It’s important to remember that everything, no matter how small, goes into the budget. If the organization needs an eraser for .99 cents, it goes into the budget. The biggest takeaway from this chapter is to really flesh out the budget. Everything is important and you can’t skimp on details when it comes to finances. Funders will find out if you missed any details, so it’s best to just be thorough and include everything that your organization does/needs.

GAP Journal #18

Team A:

  • While it’s great to repeat the name of your program, I feel like it’s a bit of overkill to repeat “Sexualized Stigmas” for each quantitative bullet. For me, it really pulls the reader out of what you’re saying.
  • I like how your beginning blurb tells the reader how many goals and objectives there are, as well as the timeframe. This allows you to not have to repeat any of that information within the list.
  • For your last bulletpoint, I’d consider adding just a little clarity to what information you’re sending out in the pamphlets. Are the pamphlets a one-time thing, or are you sending them out monthly?
  • Your qualitative section has a great opening! A little bit of fluff is great to pull at investors’ heart strings
  • For #1 of your qualitative section, I’d clarify what “regularly” means. Is it weekly? Monthly? I like the idea that you’re not only focusing on outside perspectives, but you want to stress that your volunteers and staff have input.
  • #2 seems a little vague. How will you connect to them? Email? Phone calls? What will be discussed besides how they are feeling?
  • #3 could be fleshed out a little more. Just observing how students react might not be the best way. Maybe give them an ungraded quiz to see how much they are retaining as well as a little check-in to see how they’re doing might be a good idea.
  • Overall, you guys did a good job! I think you just need to clarify a few things and change the sexualized stigmas repetition, and then you’ll be golden!

Team E:

  • Your beginning statement of why your workshops need to be evaluated individually sounds great! It doesn’t go too much into detail, but it gives enough for the investor to follow.
  • Overall, your bullet points seem a little flat. What I mean is that you give us a lot of your goals, which is great, but how are you going to evaluate the success of each point?
  • For the first point, I think a good way to evaluate the program’s success would be to set each participant on a budget and do weekly/monthly check in’s to see if they stay on budget, taking into account emergencies, etc. Obviously, finances are private for most people, so if you can find a way to check in with each participant without invading their privacy, I think it could be a good way to evaluate the success of the financial literacy workshop.
  • The cultural adjustment workshop also needs a way to evaluate success. Maybe you could have an “interview” with each participant when they reach the recovery stage and adjustment stage to see how they’re feeling. After the participants go through the program, you could send a survey out about a month after and ask how they felt the program prepared them.
  • Job Acquisition is an easy thing to evaluate, so putting a blurb about connecting with participants and asking them how their job is going/if they needed a new job, etc., would be good.
  • I think that your paragraph after the bullet points should be moved before the list. It gives the reader some information and may answer some of their questions they have while reading your list.
  • Your qualitative section is really great! I think there’s some room for wordsmithing, but other than that you did a great job.

“Calling Out Into the Night”-Isabella Petroni

This is the story of a young woman realizing that her father may not be the hero she though he was. I love the description and the voice of your story! Everything is really vivid, yet its subdued in a way to make the forest seem more like an unmapped area. You also had great pacing, as I felt that the story didn’t move too fast or slow, especially during tense moments. I really appreciated the thought that you obviously took when crafting your characters. Alyssa felt fleshed out and her backstory was explained really well. Alyssa’s relationship with her father was nice, but I wish we could’ve had more dialogue between them. I have a few questions/suggestions. You mention that the Service hired her, but what exactly does she do? Why is the service targeted by her father’s militia? While I love the beginning of the story, I feel like the plot/tension really begins when she meets with her ‘uncles’. It’s a little unsatisfying to not get answers about what these men are doing at Alyssa’s job. I think a good way to sum up the suggestions would be to this: Flesh out the motivations of Alyssa and the militia.

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